Obviously we made sure to maintain the integrity of the character and costume design, but it was a lot of trial and error, and more importantly coming up with creative solutions! I had to come up with a lot of creative ways to keep the “outer shell” of the design to the illustration; and even the choreographers and dancers had to come up with innovative ways to utilize and move the fabrics and materials we landed on with the costumes.
ONE37pm: Were there any obstacles you encountered while in the process of creating the costumes?
An: There were all types of challenges – physical, mental, emotional – but that comes with the territory! We are doing something that has never been done before! The physical challenge was actually building the costumes. The funny thing is when people initially saw my designs and illustrations they said "wow these are amazing...but what are they actually going to look like??" [laughs] For me in all of my work, I strive to bring what I put down to paper straight to life, and you'll see that in the show. The characters literally walk off the page, it feels like the illustrations themselves came to life. It was an incredible challenge as a designer, as well as challenging for all my collaborators.
Specifically the costume shops I worked with. There had to be a lot of trust on both sides. They had to trust my suggestions and ideas, and there was a ton of research and development to make sure the concept and materials would work. In the end, I'm so happy we pushed the boundaries of what we could do because it contributes to the overall show incredibly. I’d like to thank all the costume shops on Awakening: Limelight, Jerard Studios, Parsons Meares, Asher Levine, Marco Marco, Curry Studios, Costume Armor, Leduca Shoes, Pin Cushion, The Wynn Costume Shop.
As for the mental and emotional challenge, you know we developed this show during COVID! This was a giant hurdle we had to overcome and it's something we are very proud of!